Friday, 14 September 2012

Embrace the filmy goodness



I realised today that it has been a very long time since I went to the cinema!  So I thought I’d give a taste of what is coming up and what I have a desire to spend my money on seeing.

Looper (29 September)
Bruce Willis and Emily Blunt in an action sci-fi film?  Yes please!



Frankenweenie (17 October)
Tim Burton back to basics, says it all.




The Hobbit (14 December)
I really don't need to say anything, do I?

 
And what’s on at the moment that I wouldn’t mind seeing?  Hmm, if only I could find someone to drag along with me…

Paranorman
I 'it 'y 'ong, 'oes 'at 'ount?



The Watch
Personally I'm not keen on Ben Stiller but I love Vince Vaughn and sci-fi comedies.  Two against one!



And the films I’ll happily watch when they reach my television screen?


  • Hope Springs
  • Lawless
  • Dredd
  • Total Recall



What do you want to see?

Wednesday, 12 September 2012

Women in Game of Thrones



As promised in my last post, today I would like to focus on the attitude towards women in Game of Thrones.  I have recently finished reading the novel, so this will focus on the attitude towards women in the book and what a fantasy writer could learn from this.

“You are a woman, my lady,” the Greatjon rumbled in his deep voice.  “Women do not understand these things.”

The attitude towards women in Game of Thrones, as with life, is complex.  On a base level, they are not worth much.  Even the high born women are nothing but mothers, although they may be dressed as queens.  Throughout the novel, Eddard and Catelyn both think about returning to Winterfell and birthing another boy.  This emphasises the importance of giving the world sons, despite having already had three.  And what will become of these sons?  The eldest, Robb, will inherit Winterfell and his brothers, Bran and Rickon will become his bannermen.  Sons are required to spread across the land and pledge allegiance to their blood.  What of their daughters?  The only thing that Sansa and Ayra have to look forward to is becoming wives and mothers.  At least Eddard hopes to marry Sansa off to someone good and kind, although love is not mentioned.
High born daughters are effectively sold into other high born families to create allegiances and maybe help their father gain access to power.  If they're lucky, love will bloom from the arrangement.

The view of women among the Dothraki is similar.  The Khaleesi, despite being a princess, cannot give orders or lead her own khalasar.  The men are the warriors and leaders, however I find it very interesting that Dothraki women are expected to ride their horses up until the moment they give birth.  This may just reflect the importance of the horse in their society or an ignorance in men, but it may suggest that they perceive women to be strong.  Strong enough to ride their horse despite having an uncomfortable, huge belly and this image of strength has to be maintained.  For example, Daenerys continues to ride her horse in front of the men for as long as possible, but away from Khal Drogo, she is carried, which is much more comfortable.
 
Prostitution is riff in fantasy’s such as this.  Kings Landing is filled with brothels and young girls, boys and women are sent to work there.  Maidens, or virgins, are highly prized by many men who use the brothels.  Although they are using women who have sex for a living, they want them pure and untouched.  Never mind that these girls will be young and scared and possibly entirely unprepared.  These maidens are often impregnated and left.  This serves to show the reader what kind of man they are reading about and is used frequently in fantasy.  One example that springs to mind is an episode of Firefly.  The use of prostitution reinforces the idea that men have a low opinion of women – they are viewed explicitly as sex objects or mothers, but also speaks volumes about the men.  In some cases it shows the men for the vile beings they are, in others, for example King Robert, it can serve to show the loss they have suffered and their coping mechanisms.
Then there is Tyrion, who fell in love with and married a prostitute in his youth and then meets and falls in love with prostitute Shae.  Again, this speaks volumes about his character and could be linked to his childhood and the way he has been shunned by his family and society, maybe he feels he has something in common with these women, perfectly justified in their existence but frowned upon.

Sex positions should also be noted.  The most common position in Game of Thrones is the man taking the woman from behind.  This is generally seen as a disrespectful position and is often one used when having sex with slaves, which is mentioned in the Game of Thrones series.  However, in the novel, the only people to truly practise this position is the Dothraki.  This is the position that stallions use to mount mares and so this is the position that Dothraki men use to mount their women.  The position of the slave is not mentioned and the only change is when Daenerys takes control to conceive their child under the stars.

All of this does not mean that the good men are not gentle or that love does not exist.  Of course they are and of course it does.  What it does mean is that the men severely underestimate women, as they have done throughout our history.

I cannot think of one truly weak female character in Game of Thrones.  Even Lysa Tully is strong in her determination to keep her son safe, despite her madness. 
What do we mean by strong women?  What makes a woman in fiction strong?  To me, a strong woman is one who survives, who knows her own mind, who can take charge when needed but is intelligent enough to know when to back off. 

Cersei Lannister plays the Game of Thrones as only a woman can: through men.  She quietly arranges the court and people live and die by her hand, all under the guise of the king, or ‘natural causes’.  That is until Joffrey is crowned, then her strength wavers as she begins to lose control.  Catelyn Stark is a family woman and that is where her strength lies.  She will stand tall and enter war to avenge the atrocities against her family and save her daughters.  Ayra is rebellious and stubborn, quick and clever.  Sansa is a true lady and grows up quickly when Joffrey betrays her, she turns on him and quickly realises that the only way to survive is to play by Joffrey’s rules.  Daenerys – the wonderful Daenerys – is sold as a wife, falls in love, loses her child and husband and turns the Dothraki culture on its head by becoming the first female ruler of a khalasar, albeit one of old men, women and children.  She is the blood of the dragon and not afraid to inflict pain or kill.  A barrier has gone up since she lost everything and has left a bloody-minded determination which not only makes her strong but also an enjoyable character to watch/read (can you guess who my favourite character is?).

So what can a fantasy writer learn from George R. R. Martin's amazing work?  Everyone loves a strong woman, these days it is a necessity in a fantasy story.  What makes the women in Game of Thrones sparkle is the complexity of the world in which they are set.  The cultural expectations, the oppressive male opinion and the reality all working together beautifully to allow each character to come into their own.  Every culture in the world has this level of complexity with regards to sex and gender.  It is this complexity that makes the story plausible and every fantasy story must be rooted in reality in order to keep the reader turning the pages.

Monday, 10 September 2012

The use of sex in novels vs television (Game of Thrones)



I apologise for not posting over the weekend.  It hasn’t been a good one and ended with me suffering a migraine.  As a result of lack of sleep and being unable to look at my laptop screen, I have just finished reading the first book in the epic A Song of Ice and Fire series by George R. R. Martin.  Having watched the television programme first, I wasn’t sure of the book.  Of course, the books are always better than the programme/film, that’s a fact, but I knew what was going to happen and in such a long book I wondered if that would take away the magic.

Of course it didn’t!

Game of Thrones is beautifully written, the characters are very well developed and the world is utterly immersible.   What did strike me immediately when reading the book is that the story made sense!  While there are so many characters that I sometimes wonder who is who and didn’t they go to Kings Landing and I’m sure they died a few pages back, the story itself is much easier to follow.  I didn’t have to stop and think, what?  Why are they doing that?  What’s going on?  Which I often have to do during the television programme.

My favourite characters have not changed, in fact I think I love Tyrion, Daenerys and Arya all the more.  Other characters, including secondary ones, also have a little more life breathed into them than the television programme would have you believe, but then that is the magic of the novel.

Two things really struck me when reading this book and it is these that I would like to look at; the role of women in this fantasy world and the use of sex.
I have already touched on the use of sex in thetelevision series in this post, so I’ll start with this.

Most of the examples that truly shocked me when reading Game of Thrones are in the first half.  It is a book of two halves; sex and death.  While the deaths are devastatingly painful, the sexual content is utterly shocking.  Death is death but Game of Thrones contains various types of sex; loving sex, incestual sex, prostitution and rape and even mixtures of these.

As I followed Bran climbing walls and scampering along rooftops while his dire wolf sat, waiting for him, I prepared myself for the young Stark discovering Jaime and Cersei Lannister in the throes of sibling love.  In the series, Bran discovers them naked and in the middle of intercourse, Jaime taking Cersei from behind (positions are also important in fiction such as this).  In the novel, Bran actually discovers brother and sister to be fully dressed and discussing things that show the reader/viewer exactly the same message as the sex scene of the programme.


 
‘There were soft, wet sounds.  Bran realised they were kissing.  He watched, wide-eyed and frightened, his breath tight in his throat.  The man had a hand down between her legs, and he must have been hurting her there, because the woman started to moan, low in her throat.  “Stop it,” she said...’


 
In the defence of the programme makers, a sex scene of brother and sister gives the message of incest and the hint of Joffrey’s true lineage in the shortest possible time.  It also gives a sense of their relationship, as Jaime takes Cersei from behind suggesting a lack of respect (it is often the position used when having sex with slaves). 
In the novel, Jaime seemingly begins to force himself on his sister, although she does not push him away.  So the two scenes give the same message but it does still not justify creating a crude sex scene in the place of good dialogue.  While the sex scene was short and shocking, it can also be viewed as offensive.  In fiction, crude erotica should only be included where absolutely necessary.  The novel has proven that this crude, unloving sex scene was not necessary.

The scene I was truly dreading was Daenerys’ wedding night with Khal Drogo.  I don’t completely remember this scene in the programme but I do know that it is forced sex.  Words will always make rape scenes worse than the visual of the television programme and I read through Dany’s wedding with trepidation.  I needn’t have worried.  Khal Drogo is gentle and slow, repeating the word ‘no’ to her until it ends in a question.  ‘No?’ 
‘Yes,’ replies Dany, allowing him inside her.  While I feared for this young girl in the arms of such a big, strong man who doesn’t even speak to same language, their love is apparent right from the beginning.  That was the feeling I was left with after this sex scene which is a very different feeling to that of the programme.  The end of that episode left me worried sick about Dany and with that dirty feeling of the idea of rape.

‘She could sense the fierce strength in his hands, but he never hurt her.  He held her hand in his own and brushed her fingers, one by one.’

So why have the television programme makers of Game of Thrones decided to go with the horrid, sordid side of sex instead of the detailed scenes of the novel?
Probably because it’s easier, the sex scenes are shorter and it would take too long to show the viewer that Dany was actually ok and places Drogo’s hands on her or show that King Robert is not Joffrey’s father through conversation.

I’d like to think that was the only reason but I have a feeling that it’s not.  The programme makers could not include these scenes if there wasn’t an audience for it.  Are these types of sex scenes really what the public want?  I certainly don’t. 
These sex scenes are the easy way out.  The scenes in the novel aid in developing the characters.  The reader feels the emotion and knows exactly what’s going on the character’s mind.  It can be difficult to get these across in a television programme but this is certainly not an excuse to just make it into a rape scene, or create nakedness when originally there was none.  Just because a novel’s characters are complex should not mean that the complexity cannot be visually translated.
 
The use of sex as a tool in this fantasy world, the positions used and the use of prostitution and marriage also tells a lot about the view and role of women in the world.  In my next post, I will take a brief look at the role of women in Game of Thrones.

Thursday, 6 September 2012

The sound of inspiration

I was thinking of topics for my blog post this evening as I drove home from work.  I was singing along loudly and allowing the music to conjure up images in my mind (while concentrating on the road, of course) and I realised how many songs have inspired my writing.

I am not a big music person.  I would choose film over music every time.  I have a couple of favourite bands but I have more favourite songs.  I hate it when I become bored of my music as I am useless at buying albums and discovering new stuff.
Thankfully my friends and hubby are huge music fans and so I am exposed to new music frequently.

My favourite music is that which creates images in my mind, that tells a story, that is intelligent and beautiful.  If it has rocking electric guitars then all the better.
Some songs have directly inspired parts of my writing, some of which are possibly too embarrasing to share (I'm not down with the kids anymore!).  Other songs are just beautifully written and I hope to one day use them to create a wonderful piece of prose.
I also particularly love instrumental music (movie soundtracks), but that isn't as much fun to post.

Here is a selection of writing inspiring music in my collection;

Handlebars by Flobots
I'm not a fan of the video but listen to the words. It's a song about growing up, having strength and belief and where that could take you.  It's starts off innocently, as a child does, and builds, getting faster, until the end when the person is spent and their soul destroyed.


This Is War by 30 Seconds to Mars
You know those few bands that I love?  30 Seconds to Mars are one of them.  Muse (below) are another.  I don't know about you but This Is War fills me with apocalyptic/fantasy goodness!
Other 30 Seconds to Mars songs I find inspiring are Fallen (which helped me to write my first novel), Edge of the Earth (Matter of Time, my second/third novel), Night of the Hunter (The-Novel-Previously-Known-As-Silver).
All 30 Seconds to Mars songs are beautifully written with powerful messages.  Plus a bit of screaming and heavy guitars.  Magic.



Uprising by Muse
Actually the whole Resistance album by Muse could go here.   Muse are part of Britain's music royalty and I particularly like this album.  It's great for a day when you're tired of being told what to do or sick of your boss.  It's also great for inspiring distopian stories.  I plan on listening to this album a lot when writing the sequel to Matter of Time.




Sympathy for the Devil by Rolling Stones/Guns N' Roses
This one really speaks for itself and is joyfully helpful in characterising the devil.  The devil is the ultimate villian; evil, charming, wealthy, sickening, attractive and utterly seductive.  This song says it all.
My first novel, that is currently no where near being good enough for publication, is all about Lucifer and this song immediately gets me in the right frame of mind to create a devil that a reader could empathise with, that which makes a truly great villian.


Keep Myself Awake - Black Lab
This one really spoke to me when I was a teenager.  Now it speaks to me as a character.  It doesn't relate to any specific piece of writing.  But I can remember the truth of it when I was a teen and feel able to capture that feeling and use it to develop characters.



Prayin' by Plan B
And just to prove that all types of music can inspire, how about this one?  Delving into the mind of someone who has done no wrong and is being punished.  The way the mind works when being punished, the coping mechanisms and how the mind can turn.  I think of Emily May (The-Book-Previously-Known-As-Silver) when I hear this and wonder how she will last as long as I want her to given how much blood she has shed and how much blame she has shouldered.



What music inspires you?


Tuesday, 4 September 2012

Two trick pony



Before I start this post I feel I should inform you that I received a rejection e-mail today from the publisher who showed an interest in The-Book-Formerly-Known-As-Silver.  Which I was expecting and means I can now consider rewriting it.  But no feedback, what's up with that?  What does that mean?

Anyway...

As part of my 2012 New Year resolutions, I decided to start entering short story competitions.  So since January, I have been trying to enter at least one a month.  It hasn’t quite worked out that way but I have entered quite a few.  I’m still to be placed which has led me to start planning an assault on the short story including a course and lots of practice and research, but that’s another story…

A recent short story competition in Writing Magazine is on the theme of love.  Easy, I thought.  Every genre can have a love theme and so I set about planning my entry.  I came up with about seven ideas and whittled them down to four.  Two apocalyptic love stories and two nice, normal romances.  It was one of the apocalyptic stories which interested me the most so that was the one I wrote.

I read it back yesterday with a mind to getting a critique done on it.  I don’t know if it was good, as such.  It just didn’t feel right.  So I went through it with a highlighter and picked out my favourite pieces and attempted a rewrite. 

Then I wondered if apocalypse stories count as fantasy stories?  Or are they horror?  Is the reason I'm having problems with this because I'm not writing a fantasy story?
I suppose what I'm really asking is can writers get stuck in their genre?  Feeling frustrated, I threw the story to the side and had some chocolate.

With the morning came a clearer head and I will be having another bash at this story.  However, the point remains.  Do we write in a particular genre because it’s where our heart lies or because we can’t write anything else?

I have been writing fantasy long before I made a conscious decision that this is what I enjoyed writing.  Before the writers block incident of 2001, I had been writing only paranormal romance.  Since then I have experimented with dark fantasy, high fantasy and epic fantasy but all of it fantasy. 

Given my experience, am I capable of writing a crime thriller?  Perhaps, although a dragon might appear at any moment.
I like to think I would be able to change genre easily, but it is so easy to get stuck in a rut.  Considering that each piece of work and novel is a new learning curve, changing genre might just be too much to handle.

While this thought process is interesting, it doesn’t necessarily help me.  Love is universal, across all genres and I should be able to write a good love story.  Perhaps a fantasy love story would not stand a chance at getting placed in a non-fantasy magazine but that shouldn’t stop me from being able to write something I can be proud of.
So I will put that down to a bad day, brush myself off and have another go.  After all, a writer is nothing without perseverance.

Do you write across genres?  Or do you have any favourite authors who do?